Arnaldur Indridason
Book 3 of Inspector Sveinsson
Language: English
EN-Thrillers
Published: Dec 27, 2010
Starred Review. In Indridason's excellent second mystery (after 2005's Jar City), a skeleton, buried for more than 50 years, is uncovered at a building site on the outskirts of Reykjavík. Who is it? How did he or she die? And was it murder? The police wonder, chief among them the tortured, introspective Inspector Erlendur, introduced in Jar City. While an archeologist excavates the burial site, several other narratives unfold: a horrifying story of domestic abuse set during WWII, a search for missing persons that unearths almost-forgotten family secrets involving some of the city's most prominent citizens, and Erlendur's own painful family story (his estranged, drug-addicted daughter is in a coma, after miscarrying her child). All these strands are compelling, but it's the story of the physical and psychological battering of a young mother of three by her husband that resonates most. And the denouement of this astonishingly vivid and subtle novel is unexpected and immensely satisfying. Indridason has won the CWA Golden Dagger Award. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Icelandic mysteries hit the U.S. ground running last year with the appearance of Indridason's outstanding Jar City. This equally fine follow-up returns to the theme of buried pain, with the action centering on the discovery of a human bone at a construction site near Reykjavik. Inspector Erlendur Sveinnson is on the case, but the trail, which leads back to World War II, has gone very cold indeed. Erlendur (Icelanders use first names) has a very personal reason for his abiding interest in missing persons, and that--combined with the fact that his drug-abusing daughter is in the hospital in a coma--opens the door for plenty of backstory regarding the detective's troubled history. With a narrative that jumps between the 1940s and the present--without giving away whodunit--the novel generates a sort of emotional claustrophobia, its characters trapped in a world where the pain of the past, though often submerged, is always with us. Indridason has definitely vaulted onto the A-list of Scandinavian crime authors. Bill OttCopyright © American Library Association. All rights reserved
Description:
From Publishers Weekly
Starred Review. In Indridason's excellent second mystery (after 2005's Jar City), a skeleton, buried for more than 50 years, is uncovered at a building site on the outskirts of Reykjavík. Who is it? How did he or she die? And was it murder? The police wonder, chief among them the tortured, introspective Inspector Erlendur, introduced in Jar City. While an archeologist excavates the burial site, several other narratives unfold: a horrifying story of domestic abuse set during WWII, a search for missing persons that unearths almost-forgotten family secrets involving some of the city's most prominent citizens, and Erlendur's own painful family story (his estranged, drug-addicted daughter is in a coma, after miscarrying her child). All these strands are compelling, but it's the story of the physical and psychological battering of a young mother of three by her husband that resonates most. And the denouement of this astonishingly vivid and subtle novel is unexpected and immensely satisfying. Indridason has won the CWA Golden Dagger Award.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From
Icelandic mysteries hit the U.S. ground running last year with the appearance of Indridason's outstanding Jar City. This equally fine follow-up returns to the theme of buried pain, with the action centering on the discovery of a human bone at a construction site near Reykjavik. Inspector Erlendur Sveinnson is on the case, but the trail, which leads back to World War II, has gone very cold indeed. Erlendur (Icelanders use first names) has a very personal reason for his abiding interest in missing persons, and that--combined with the fact that his drug-abusing daughter is in the hospital in a coma--opens the door for plenty of backstory regarding the detective's troubled history. With a narrative that jumps between the 1940s and the present--without giving away whodunit--the novel generates a sort of emotional claustrophobia, its characters trapped in a world where the pain of the past, though often submerged, is always with us. Indridason has definitely vaulted onto the A-list of Scandinavian crime authors. Bill Ott
Copyright © American Library Association. All rights reserved